by joshua heineman

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panel by demian5

woman in chair, circa 1917
woman in chair, circa 1917

HIS CAMERA, HER CAMERA, MY CAMERA

it was after bagels at the bagelry & emptied coffeecups that we found the little bakery w/an antique store half-hidden in the back. there were coats & clocks, old mirrors & teapots, & a dozen old prints of new york city. i was in that giddy phase that follows breakfast on a sunny sunday morning… i couldn’t imagine a nicer place to be. we ate coffeecake from the bakery front while sifting through the shelves.

i found this lovely old camera & brought it home w/me. when it was young & modern, the first world war was ending & e.schiele was a young artist dying of spanish influenza. i’m not even sure my family was in america yet. anyway. i tried to imagine all the lives that have been reflected, passed through & not collected, in this camera over the last 92 years. 

[ i’m learning that, in these lives, the end is not truly the end at all & beginnings are maybe not the new starts we thought they were. even so, i am happy to add my life to the ribbon stretching from then to here & on again. ]

[Flash 9 is required to listen to audio.]
THE STARTING GUN (demo)
tell me where you want to go
i don’t care i just want to go
THE CROSSINGhumanity / profanity in the face of insurmountable beauty. ( greater )
THE CROSSING
humanity / profanity in the face of insurmountable beauty. ( greater )
eventually you stop wondering what you should be doing
& start asking about all the things you’re missing elsewhere.

[ sausalito, california ]

eventually you stop wondering what you should be doing
& start asking about all the things you’re missing elsewhere.

[ sausalito, california ]

whenever i’m in a new place, like this, i study it like a woman.
OVERHEARD: S(exy)F.
POW WOW
POW WOW
HOVER LIKE GHOSTS
HOVER LIKE GHOSTS
the curtain torn, the window open. an elegant bouquet.the mysterious lives of strangers.
the curtain torn, the window open. an elegant bouquet.
the mysterious lives of strangers.

YOU ARE WHO THEY THINK YOU ARE

matea keeps a large phaidon fashion book sitting on the coffeetable. in some ways it’s completely rad… especially the entries on designers from the 30s, 40s & 50s. but hidden in the back (in the “glossary of movements, genres & technical terms”) i found this gem:

GRUNGE*
grunge was born in seattle’s music scene at the end of the 1980s. youth developed a slacker lifestyle with a dependence on television and computers for entertainment. their boredom was reflected in a dishevelled, lazily thrown together look of army trousers, unkempt hair and army boots or plimsoles. grunge empathized with the horizontally-relaxed hippie attitude and was used by designers such as marc jacobs and calvin klein to market anti-fashion nonchalance as a fashion in itself.
* emphasis mine

i was laughing so hard. but! this also reminded me of a bothersome truth tied to existing in this world: you are who they think you are.

you are, of course, who you think you are, too. & you are who your friends think you are, to your friends. but you lead a hundred lives in the heads of everyone whose path intersects your own. everyday. & these lives are mostly out of your control. your motivations, fears, desires, thoughts & hopes are decided by strangers based on whatever impressions they take from you. selah.

sean niesen & matea discuss the merits of portland vs. san francisco. i just listen, having decided the two dreams are different beasts (yes, beasts). meanwhile, i snapped this handheld in the darkdarkdark.


ps. sean’s music/video art will appear w/the next issue of ahhhhh mega-zine.

sean niesen & matea discuss the merits of portland vs. san francisco. i just listen, having decided the two dreams are different beasts (yes, beasts). meanwhile, i snapped this handheld in the darkdarkdark.

ps. sean’s music/video art will appear w/the next issue of ahhhhh mega-zine.

ONE MAN FEASTS AT A TABLE FOR THREE

two teenagers laugh at a third. a woman asks for water. a child sings to her mother in spanish. these sounds are just moons.

everyone in the taqueria orbits one man at a round table. he wears a blue jacket so dirty even the stains are stained by other impurities. he has a faded hat that no longer advertises anything. his beard is oldgrowth.

there are three plastic bags on the table.

he reaches into one & pulls out a piece of pepperoni pizza. it is stiff. he smiles, sets it on his lap. his hand disappears into another bag & returns w/a donut. sprinkles. he flips the donut upside down, places it onto the pizza… twisting it slightly like a screw.

& still, the moons spin. a cellphone rings. three men debate jukebox selections. a baby cries from a stroller.

as i stand to leave, the man in the dirty clothes reaches into the last bag. he retrieves a fork wrapped carefully in a napkin, which he untangles… digs in.

this is an image of me. imaginary, like them all. matea took it… pulled it out of reality & placed it in a camera. this isn’t a complete picture, of course. you cannot hear the chord.
this is an image of me. imaginary, like them all. matea took it… pulled it out of reality & placed it in a camera. this isn’t a complete picture, of course. you cannot hear the chord.
CALIFORNIA HWY ONEretrieve a car from the sixth floor of a hotel parking lot, leave the city as fast as you can, trace the highway as it threads south on a sunday, hug the sea as if it were the back wall of a bar room, fiddle with the radio dials in redwood forests, stop at the smallest towns & skip the turnouts. pretend you never have to go home again.
CALIFORNIA HWY ONE
retrieve a car from the sixth floor of a hotel parking lot, leave the city as fast as you can, trace the highway as it threads south on a sunday, hug the sea as if it were the back wall of a bar room, fiddle with the radio dials in redwood forests, stop at the smallest towns & skip the turnouts. pretend you never have to go home again.
tell your wife i’m real ugly.
OVERHEARD: Bush & Battery.