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"deeply into whatever"

the web zone of joshua heineman
              &
ahhhhhmega-zine
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2:11 AMa record playing…
2:11 AM
a record playing…
LAST FLICKR OF DAYLIGHTmoving out of the LSD house today… end of an era, beginning of the next.
—- via cellphone camera!

LAST FLICKR OF DAYLIGHT
moving out of the LSD house today… end of an era, beginning of the next.

—- via cellphone camera!

Reaching for the Out of Reach 27:
Putnam Machine Company, Massachusetts, circa 1874.
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Reaching for the Out of Reach 27:

Putnam Machine Company, Massachusetts, circa 1874.

[ more from this project (nypl permalink) ]

Reaching for the Out of Reach 26:
Women working at a long sewing table, Maine, circa 1874.
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Reaching for the Out of Reach 26:

Women working at a long sewing table, Maine, circa 1874.

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room? womb! womb for rent.
OVERHEARD: Market & Beale.
CITY SQUAREour reading lamps & television sets are constellations here.
CITY SQUARE
our reading lamps & television sets are constellations here.
Reaching for the Out of Reach 25:
Kids help their uncle tap a sugar maple tree, Ohio, circa 1892.
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Reaching for the Out of Reach 25:

Kids help their uncle tap a sugar maple tree, Ohio, circa 1892.

[ more from this project (nypl permalink) ]

Reaching for the Out of Reach 24:
Dinner time at a cowboy camp, Montana, circa 1895.
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Reaching for the Out of Reach 24:

Dinner time at a cowboy camp, Montana, circa 1895.

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Reaching for the Out of Reach 23:
A dog rests outside a log cabin, Maine, circa 1875.
[ more from this project (nypl permalink) ]

Reaching for the Out of Reach 23:

A dog rests outside a log cabin, Maine, circa 1875.

[ more from this project (nypl permalink) ]

REJECT THE REJECTERS

the doorman at my office building doesn’t do his job very well. i don’t mind at all. he’s the busiest old man i’ve ever known… he sits there typing up manifesto-length columns from scraps of blue paper, which he fills w/scribble while drinking irish coffees in all the dingy bars at night. he mails these to places like the new york times & the s.francisco chronicle. he does not include a SASE because he doesn’t care about publication. he writes because it’s a habit he cannot break, would not dare to break. it keeps his head from the depths of a deep depression, he says.

yesterday the new york times sent him a rejection slip anyway. i was standing by his desk when he read it. i was trying to convince the old man to write a column for my magazine (much too busy, he says). after considering the mail a moment, he got right back to work… writing a rejection to the rejection slip:

NEW YORK TIMES

thank you for the letter. unfortunately we cannot use your rejection at this time…